Hand Drawings

‘Series of potentially guilty victims’

These series of illustrations of women operate as an unveiling tool to understand different aspects of women’s life’s that relate with the external monitoring of their sexuality. Here I take into consideration that some of those individuals exist not only as post-modern personas but also, traditionally and regarding their family, exist as modern and pre-historical people. The journey between “Church on Sunday” and “Instagram posts” escalates the complexities of the operations regarding sexuality ownership.